Whether you
are watching a film or playing a game, music can play a large role in defining
the experience. Those memorable pieces stick with us long after we’ve shut our
systems off or walked out of the theater, and they’re a large part of what
makes visual media so engaging. Being a fan of RPGs, I have heard many
wonderful pieces of music from many talented composers. What follows are ten
pieces of non-battle music from games I have played. A list of battle music
might come somewhere down the road.
10- The Poem
for Everyone’s Souls (Persona 3)
Persona 3
has a very eclectic soundtrack, but one that perfectly suits the tone and plot
of the game. Shoji Meguro, the composer for the Shin Megami Tensei series,
created a lot of J-pop and rock-type songs to suit the teenage protagonists and
high school setting, but one of the more memorable pieces from the game is the
song that plays in the Velvet Room, where you can create new Personas. The
music gets steadily louder and more dramatic as it progresses, creating a
suitable atmosphere to the tarot-card alchemy that is probably going on as it
plays.
9- Ruin and
Creation (Star Ocean: The Last Hope)
I’ve been
told that The Last Hope is the worst Star Ocean game, but seeing as it’s the
only one I’ve played, I’ll just have to take their word for it. One weakness
the game reportedly does not have,
however, is a lacking soundtrack. Motoi Sakuraba delivers a pretty great score
for this game, but by far the best piece is the opening track ‘Ruin and
Creation’, which plays over the opening cutscene showing nuclear weapons
devastating Earth, and the new spacefaring society that rises from the ashes.
8- Xion’s
Theme (Kingdom Hearts: 358/2 Days)
While the
character does have her share of detractors, I personally found Xion to be the
best part of the first DS Kingdom Hearts title. Let’s face it; Roxas is a
pretty boring character on his own (he spends half of the game as a generally
emotionless puppet), and Xion not only provides someone to spur Roxas’ growth,
but ends up forming the emotional core of the story. (SPOILER AHEAD) This
particular iteration of her theme song only plays during one scene; when she dies.
7- Place of
Memory (Final Fantasy IX)
I’ve used
Final Fantasy IX’s final dungeon as a sort of counterpoint to Final Fantasy
VIII’s. FF8’s last dungeon is hideously overcomplicated and makes no sense in
context with the story, while FF9’s final dungeon is very simple but fits the
themes of the story- life, death, and the meaning of it all- perfectly. As the
party begins by wandering through their own memories, they end up playing
through the process of creation in reverse, watching the world unmake itself until
all is inky blackness.
6- Omen
(Xenogears)
Xenogears is
a long, frustrating slog of a gameplay experience, but good lord, does it have
fantastic music. This song, aside from containing the melodies from the
beginning and end of the game and encompassing the entire game’s storyline, is
what made Xenogear’s final dungeon bearable. With no random encounters and a
really tedious puzzle to solve, nothing could interrupt the haunting mystery of
Omen.
5- End of
the World (Kingdom Hearts)
Yoko
Shimomura is one of my favorite composers, and one of my favorite songs by her
is ‘Destati’, the bombastic vocal piece that serves as one of Kingdom Heart’s
main themes. This remix of that theme plays at the End of the World, and turns
what would otherwise be a boring retread of previously explored areas into what
is easily the best final levels in the series, as Sora and company explore the
domain of the Heartless and the remains of the worlds they have destroyed. It
ends on one of the best pre-final boss monologues in gaming history.
4- Prisoners
of Fate (Chrono Cross)
The Dead Sea
is my favorite part of Chrono Cross; it’s a moment where the player is forced
to witness the consequences of the player’s intentions in Chrono Trigger, which
unwittingly doomed an entire existence to nothingness. What follows, however,
is a scene where the protagonists of Chrono Trigger accuse Serge, the new main
character, for the devastation he just witnessed. Cue heartrending music.
3- The
opening of Twilight Princess.
Nintendo had
this annoying habit when they were making Twilight Princess of not releasing
their music (hell, they still don’t), not giving it an interesting name, and making
their soundtracks MIDIS instead of better music. Twilight Princess still
managed to deliver a decent soundtrack despite its limitations, but my
nostalgia for this piece is still unmatched. Now, if only I knew what it was
called…
2- Ending
Theme (Final Fantasy X)
When most
people think of Final Fantasy X’s soundtrack, they think of ‘To Zanarkand’, the
memorable piano piece that opens the game. For me, though, the best song in
FF10 is the ending theme, which plays over one of the most beautiful scenes in
the game and contains both ‘Prayer to Yevon’ and ‘To Zanarkand’, and closes
FF10 on the most tragic yet beautiful note possible. And people wonder why this
is my favorite Final Fantasy.
1- To
Faraway Times (Chrono Trigger)
What is
there to say? Yasunori Mistuda is one of the best composers in the business,
Chrono Trigger is one of the best RPGs ever made, and this is still one of the
best end credits songs imaginable.
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